The tail is made from Bake and Bend Sculpey, which means it is flexible. Not as flexible as rubber, but way more flexible than super sculpey. This will let me attach it without fear of it breaking like a twig the first time I touch the finished doll.
The stained and paint splattered surface I keep taking these photos on is actually a cutting mat. The little grid is composed of one inch by one inch squares, so you can get a sense of scale.
As you can see from the tail's shadow, it isn't laying completely flat on the cutting mat. It is curved because I baked it on a wadded up piece of t-shirt in my pyrex baking dish. The cotton shirt doesn't scorch in the oven, and is a really good surface for cradling delicate sculptures while they bake. By having the cotton all bound up into a wad, I was able to droop the tail over it while it baked and not just leave the thing flat. Also, I always cover the clay with aluminum foil (not touching!) so that the clay doesn't scorch as badly.
The reason for only focusing on the tail today: I stopped work on the rat to do a painting. I'll probably show it off tomorrow. Now, back to work on the rat!
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